Toto La Momposina

Toto La Momposina Announces First European Tour for 5 Years

Saturday, July 17th, 2010

Toto La Momposina is embarking on her first full Eauropean tour for 5 years with her full band.

The dates are:

July 15th Pirineos Sur, Huecas, Spain  http://www.pirineos-sur.es/inicio/
17th Mar de Musicas, Cartagena, Spain http://www.lamardemusicas.com/
20th Latinamericando, Milan, Italy, http://www.latinoamericando.it/showPage.php?template=news&masterPage=homepage.html
25th Barbican, London, UK http://www.barbican.org.uk/blaze
31st Sfinks, Belgium, http://www.sfinks.be/home.php
Aug 5th Zapata, Stuttgart, Germany, http://www.zapata.de/
7th Esperanzah, Belgium, http://www.esperanzah.be/

New feature-length documentary on Toto La Momposina being made.

Tuesday, June 22nd, 2010

Totó baileThis summer Verité Films Producers René Veilleux and Donald Roman Lopez will begin production of a feature-length documentary on the life and works of renowned World-Music Colombian singer Totó La Momposina. “We are honored to be collaborating with an artist of such world-renowned caliber and such cultural importance as Totó La Momposina.” Says Producer René Veilleux.
 
Totó embodies that fertile ground where Colombia’s African, Indigenous Indian and Spanish cultures mingle to create a unique musical tradition.  Her entire life she has dedicated to preserving and representing Colombia’s Caribbean coastline traditional music.  Nonetheless, Sonia Bazanta, the woman, the daughter, the mother, and Colombia's musical ambassador, has a compelling past marked by countless sacrifices and critical moments of survival. Retracing her steps, she embarks on a journey filled with memories of being displaced by civil war as a child, singing in the Paris Metro as a struggling musician, and becoming the renowned world artist she is today. Parallel to her ancestral and personal journey, Totó will travel on her first European tour in 5 years and will engage on a succession of artistic collaborations as a "Cantandora del mundo" during an important creative transition in her life. And it is here, in this key moment of her international career, in the midst of challenges and triumphs, and with this documentary film that Totó is willing to open her heart and soul to reaffirm that her fundamental need is to preserve her culture and to continue being the woman that lives to sing and that sings to live.
 
“Exploring in depth the circumstances that have come together to create someone like Totó, is in part a search I’ve been in my whole life trying to understand my own cultural identity.” Says Producer and Director, Donald Roman Lopez. “Totó is an exceptional story of identity preservation within the context of globalization that not only concern Colombians or Latinos but any citizen of the world,” he adds.
 
Verité Films is pleased to be working on the film with the full co-operation of Totó and her management and production company Astar Artes and Artistic Director John Hollis.  Other producers collaborating on the project include, award-winning documentary producer Lori Cheatle (51 Birch Street, The Kids Grow Up, The Age of Dreaming), and Sarah Anthony executive producer of Last Play at Shea, the story of Billy Joel's final concert at historic Shea Stadium, and the Untitled George Harrison project, directed by Martin Scorsese and due to be released in 2011.

For more information on the project go to www.indiegogo.com/TotoLaMomposina.
 
 

Toto and Grammy award winners Calle 13 record together

Monday, June 7th, 2010

Toto and Calle 13 have been recording a song together with Susana Baca and Maria Rita

CaracolTV.com reported it on their site:

‘Calle 13’ estuvo en Bogotá para grabar con Totó la Momposina

Residente y Visitante estuvieron intempestivamente en Bogota para unir sus voces con la de la artista colombiana. "Vamos a terminar de grabar un supertema, en serio lo digo. Después de este tema se puede caer mi avión", aseguró el líder de la agrupación boricua. El nuevo disco se tiene planeado para septiembre y, además de Totó, participan Susana Baca y María Rita.

A tweet from Calle 13 said: "Aca grabando con las diosas desde bogota.Toto la momposina,Susana Baca,Maria Rita"

calle13recording

 

Gente Y Ochio

Monday, June 7th, 2010

Ocio Latino

Ocio Latino

Monday, June 7th, 2010

untitled

 

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Toto La Momposina London Barbican show. July 25th 2010

Saturday, May 29th, 2010

Toto la Momposina / La Mojarra Electrica / ChocQuibTown

A very special concert marking the bicentenary of Colombia’s independence

25 July 2010 / 19:30
Barbican Hall

Tickets: £10 / 15 / 20

Toto La Momposina
The Grande Dame of Colombian roots music and dance, Toto’s music takes in African, Caribbean, Native Indian and Spanish traditions, making for an irresistible blend of rhythms.

'Music of this quality puts her in a class of her own.'
Songlines Jan 2010

La Mojarra Electrica

This extraordinary 12-piece creates an eclectic mix of Afrobeat and traditional Colombian music, with a sound firmly rooted in the traditions of Colombian coastal towns, taking in the bullerengue, the chalupa, and the aguabajo.

ClubStage Choc Quib Town

For more info and to buy tickets go to: http://www.barbican.org.uk/music/event-detail.asp?ID=10926

Toto LatinCom Interview (in Spanish)

Friday, April 23rd, 2010

latincomradio april 2010

To listen to the interview, click in the player below…

Para escuchar la entrevista, haga clic en el reproductor de abajo …

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LatinCom Interview.

New Toto Video on YouTube

Monday, March 29th, 2010

Bodega RootsWorld review

Monday, March 29th, 2010

 

rootsworld-smash02The somber horns, meandering guitar and tentative drums at the outset of this CD soon shift gears and burst into lively celebration, and once the voice of Totó La Momposina is in the thick of the chorus, all of Colombia’s African, indigenous and European roots are joyously entwined. Toto’s been the leading lady of Colombian music for some time, always drawing upon traditional sources while maintaining a progressive spirit and vision that has produced such albums as 2001’s stunning Pacanto, which was propelled by a contemporary African undercurrent that enriched the music magnificently. La Bodega doesn’t quite match the heights of that classic though it similarly builds on a folkloric foundation of drums and vocal blueprints handed down from generations of village cantadoras who lead people in song and often serve as herbal healers as well. Fitting, given the medicinal quality of the music here. Totó La Momposina’s lusty singing is nudged to full-blooded heights by an accompaniment of hand drums, small percussion, gaita flutes made from cactus wood, brass, strings and a chorus that shouts approval of her declarations at every turn.

An occasional addition of violin, marimba or accordion veers the sound toward such popular Colombian styles as vallenato and the concluding "Fiesta Vieja" winds up the disc on a distinctly cumbia note. Still, a mainly rural sound, not an urban one, guides La Bodega. The album’s centerpiece, inspired by the late Colombian master drummer Batata, thunderously demonstrates as much: "Tembandumba" builds like any straight-from-Africa invocation of the Yoruba pantheon, re-connecting Totó La Momposina’s homeland to the other side of the Atlantic and resounding with the kind of inspiration heard throughout. This is Afro-Colombian music at its best. – Tom Orr

Bodega Feminist Review

Monday, March 29th, 2010

 

Opening with a brassy, but sentimental horn sound on “Manita Uribe,” the first track of La Bodega bursts into a rhythmic and exuberant potpourri of singing, guitar, and percussion accompanied throughout by a horn section that complements and leavens the sheer joy that comes through on this song. While listening to this album, I was momentarily transported from the wintry Illinois landscape to more tropical climes. The second track, “Margarita,” features Andean/Indian gaita flutes as a backdrop to the chorus and rhythmic drumming that seem to beckon one into a celebratory mood.

If you’re looking for a mood altering experience from your music, La Bodega is just the ticket. Although Totó la Momposina is from Columbia, the third track “Sueño Españo” reminded me of a band you might hear in a Mexican restaurant that stops by your table to serenade you and your dining partner. In “Fidelina,” a strong drum accompaniment is the backdrop for Totó’s strong and feisty singing along with the ever-present brass accompaniment. This is foot tapping, rousing music and reminds us that we’re meant to participate fully in life, not just be passive observers.

La Bodega has been described as “mixed indigenous Columbian and Afro-Latin.” The genre may be less familiar and accessible to listeners than the more familiar urban Latin pop sound that has garnered a worldwide following in the past few decades, but it creates a unique listening experience.

Totó la Momposina is one of the best known singers of this genre. She is a fourth-generation musician from the village of Tallaigua, which is located on the island of Momos, the inspiration for her name. La Bodega would make a great backdrop for a dinner party or any kind of social gathering where you want to lighten the mood and provide a festive and relaxing atmosphere for your guests. If you’re not the party giving type, but have a passion and interest for diverse musical traditions, this is an album that you will want to add to your collection.

Review by Gita Tewari